Photo: Wikimedia Commons · CC BY 2.0 Full text 1 "Winged creatures fly, furred creatures run, and those with mouths speak — all three dwell between heaven and earth and li

Photo: Wikimedia Commons · CC BY 2.0 Thesis The common mistake is to lift “夫珍鲜馥烈者其碗数三次之者碗数五若座客数至五” out of its sentence and turn it into an absolute rule. Text "For t

Photo: Wikimedia Commons · CC BY 2.0 Thesis “夫珍鲜馥烈者其碗数三次之者碗数五若座客数至五” only becomes legible inside Tang tribute tea, monastery tea and literati life. Text "For tea of

Photo: Wikimedia Commons · CC BY 2.0 Thesis “夫珍鲜馥烈者其碗数三次之者碗数五若座客数至五” still has operational value at a contemporary tea table, provided Tang conditions are not silently uni

Photo: Wikimedia Commons · CC BY 2.0 Thesis Read through modern tea science, “夫珍鲜馥烈者其碗数三次之者碗数五若座客数至五” is not a lab result but a set of variables: cultivar, soil, light and

Photo: Wikimedia Commons · CC BY 2.0 Thesis The common mistake is to lift “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏” out of its sentence and turn it into an absolute rule. Text "Gathe

Photo: Wikimedia Commons · CC BY 2.0 Thesis “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏” only becomes legible inside Tang tribute tea, monastery tea and literati life. Text "Gathering i

Photo: Wikimedia Commons · CC BY 2.0 Thesis The key words in “夫珍鲜馥烈者其碗数三次之者碗数五若座客数至五” are not ornament. They mark where Tang tea names, vessels and provenance meet. Te

Photo: Wikimedia Commons · CC BY 2.0 Thesis Section 8 is not really about “夫珍鲜馥烈者其碗数三次之者碗数五若座客数至五”; it is about how Lu Yu turns tea from a local product into an object of

Photo: Wikimedia Commons · CC BY 2.0 Thesis “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏” still has operational value at a contemporary tea table, provided Tang conditions are not silently uni

Photo: Wikimedia Commons · CC BY 2.0 Thesis The common mistake is to lift “茶有九难一曰造二曰别三曰器四曰火五曰水六曰炙” out of its sentence and turn it into an absolute rule. Text "Tea h

Photo: Wikimedia Commons · CC BY 2.0 Thesis Read through modern tea science, “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏” is not a lab result but a set of variables: cultivar, soil, light and

Photo: Wikimedia Commons · CC BY 2.0 Thesis “茶有九难一曰造二曰别三曰器四曰火五曰水六曰炙” only becomes legible inside Tang tribute tea, monastery tea and literati life. Text "Tea has nin

Photo: Wikimedia Commons · CC BY 2.0 Thesis The key words in “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏” are not ornament. They mark where Tang tea names, vessels and provenance meet. Te

Photo: Wikimedia Commons · CC BY 2.0 Thesis Section 7 is not really about “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏”; it is about how Lu Yu turns tea from a local product into an object of

Photo: Wikimedia Commons · CC BY 2.0 Thesis “茶有九难一曰造二曰别三曰器四曰火五曰水六曰炙” still has operational value at a contemporary tea table, provided Tang conditions are not silently uni

Photo: Wikimedia Commons · CC BY 2.0 Thesis The common mistake is to lift “凡艺茶者或至数百丛其树如瓜芦叶如栀子花如白蔷” out of its sentence and turn it into an absolute rule. Text "Those

Photo: Wikimedia Commons · CC BY 2.0 Thesis Read through modern tea science, “茶有九难一曰造二曰别三曰器四曰火五曰水六曰炙” is not a lab result but a set of variables: cultivar, soil, light and

Photo: Wikimedia Commons · CC BY 2.0 Thesis “凡艺茶者或至数百丛其树如瓜芦叶如栀子花如白蔷” only becomes legible inside Tang tribute tea, monastery tea and literati life. Text "Those who c

Photo: Wikimedia Commons · CC BY 2.0 Thesis The key words in “茶有九难一曰造二曰别三曰器四曰火五曰水六曰炙” are not ornament. They mark where Tang tea names, vessels and provenance meet. Te