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Thesis
Section 7 is not really about “阴采夜焙非造也嚼味嗅香非别也膻鼎腥瓯非器也膏”; it is about how Lu Yu turns tea from a local product into an object of argument.
Text
“Gathering in shade and roasting by night is not true making; tasting and sniffing is not true judging; rank-smelling vessels are not true utensils; greasy fuel and kitchen charcoal are not true fire; torrents and stagnant pools are not true water; raw within and scorched without is not true roasting; powder that flies like dust is not true grinding; clumsy hurried stirring is not true brewing; drinking only in summer is not true drinking.”
Context
阴采夜焙：阴天采、夜里焙。嚼味嗅香：靠嚼和闻来辨别。膻鼎腥瓯：沾腥带膻的锅碗。膏薪庖炭：油脂柴、厨房炭。飞湍壅潦：湍急与停滞的水。外熟内生：外焦里生。碧粉缥尘：碾得过于细碎的粉。操艰搅遽：操作艰涩、搅动急促。夏兴冬废：夏天喝冬天不喝。
Evidence
- Collation: 此段与"九难"相呼应，逐项阐明九难之弊，各本一致，为《茶经》最有名的排比段落之一。
- Existing readings: 吴觉农评此段"字字珠玑"：以九个"非"字否决制茶的九种谬误，是唐代最系统的"茶道反例清单"——陆羽立标准的方式是先破后立，令人过目不忘。
Analysis
Formally, the section gives a judgment, adds material detail, then returns to human practice. 阴采夜焙：阴天采、夜里焙。嚼味嗅香：靠嚼和闻来辨别。膻鼎腥瓯：沾腥带膻的锅碗。膏薪庖炭：油脂柴、厨房炭。飞湍壅潦：湍急与停滞的水。外熟内生：外焦里生。碧粉缥尘：碾得过于细碎的粉。操艰搅遽：操作艰涩、搅动急促。夏兴冬废：夏天喝冬天不喝。 That is why the Classic of Tea reads as an argued book rather than a miscellany.
Conclusion
The section does not give a universal rule. It demonstrates a method: read the text, the annotation and the Tang context together before making a modern claim.
Source: The Classic of Tea, Chapter VI · The Drinking, section 7; the original is in the public domain.
Get the character right before the taste.